Tracking the Unseen in the Old Capital

 

 

I am lucky to be working with an excellent editor at The Japan Times, but the usual spacial limitations of print often require a piece to be cut down.  Below is the original "director's cut" of my article from a year ago.  The print version can still be found here.

 

Japan has always been a place where the visible and the invisible

coexist.  In the Asian calendar, the middle of the seventh lunar month marks the time when the spirits of the ancestors return.  There always seem to be an abundance of dragonflies at that time, their flitting around suggesting to many the physical manifestation of the ghosts themselves. 

In Kyoto, dragonflies are particularly numerous, a reminder that although the ancient capital is renowned for its 12 centuries of noble dignity and cultural refinement, it was long the center of the Shogun and his warrior culture.   The 14th century Onin Ran was a decade of lawlessness and bloodshed, which ultimately spread to the rest of the country.  Four centuries later, Kyoto was the center of political intrigue and violence that accompanied the implosion of the samurai class, and the growing pains of this new nation now called Japan. 

Some of these spirits resonated more loudly than others.  Sugawara no Michizane was a scholar and politician in the mid-Heian period, before a conflict with the powerful Fujiwara clan got him banished to Kyushu in 901.  He died there two years later, of an allegorical broken heart.  Plague and drought quickly followed.  To appease his spirit, Sugawara was deified as Tenjin-sama, originally a god of sky and storms, before being repackaged into the more benevolent kami of scholarship.  The principle shrine dedicated to this kami is Kyoto’s Kitano Tenmangū, which oversees 12,000 smaller affiliate shrines nationwide, at which students can often be seen in prayer.  Kitano Tenmangū also hosts a lively flea market the 25th of every month. 

Not all spirits can be so easily appeased. Shaded in a quiet pass over Mount Ỏe, on Kyoto’s far western outskirts, is a shrine consecrated to one of Japan's top three malevolent yōkai spirits.  Legend has it that in life he was known as Shuten-dōji, leader of a clan of oni ogres who terrorized either this area or around the similarly-named Mount Ỏe to the northwest (though in reality they were probably simply bandits). A large number of women went missing in the old capital, and the famous onmyōdō geomancer Abe no Seimei identified Shuten-dōji as responsible. After being incapacitated by his beloved sake, the oni king’s subsequently decapitated head continued to snap at the five warriors sent by the Emperor to subdue him.  Not wanting to bring the head back into Kyoto, it was buried here in 995, beneath a small mound of gravel at the back of the shrine. The pass was then dubbed Kubizuka, long considered a very haunted place.

A far more bustling pass on Kyoto’s eastern edge hums with the near constant traffic of the old Tōkaidō post road, now paved and called Sanjō-dori.  Historically it was known as Awataguchi, one of the seven gates to the old city.  The execution grounds that once stood here displayed dispatched bodies as a warning to those traveling past, including the corpse of Akechi Mitsuhide, the assassin of Oda Nobunaga. (The aforementioned Kubizuka no doubt served a similar purpose, intimidating travelers on the San-in Kaidō.)  During the Edo period, executions were carried out here three times a year, a large number of them Christians, a practice officially banned in 1612. An estimated 15,000 people were executed before the grounds were abolished in the Meiji period.  However a dissection laboratory was established here in 1872, with autopsies performed on executed men in a building glassed-in on four sides. This practice ceased a year later, leaving the quiet patch of land a cursed site. 

Another set of execution grounds was Rokujo-gawara, on the site of a former 1184 battlefield beside the Kamogawa river.  The executions of political prisoners began long before that, mainly those on the losing side of history.  Ishida Mitsunari was brought here after being found hiding in cave upon his defeat at the Battle of Sekigahara in 1600, and those generals who maintained loyalty to Toyotomi Hideyoshi were brought here after that clan’s ultimate collapse at Osaka Castle fifteen years later.  Perhaps the grounds are more interesting geographically than historically, as a massive collection of graves stretches up the adjacent hillside.  Atop stands both Kiyomizu-dera Temple and its neighbor Jisshu Shrine, where women betrayed by lovers curse them by nailing straw dolls to trees at the hour of the Ox.  Bizarrely, the Kamogawa’s riverside walking path disappears for a few blocks as it passes the old execution grounds, and one wonders if those who once worked at the original Nintendo headquarters above (now the trendy Marufukuro Hotel), were subconsciously supernaturally inspired as they crafted their artistic playing cards, and the fantastic video game characters to come.    

I suppose it is little surprise that the area’s bloody history gave rise to the belief that the well at Rokudo Chinno-ji Temple is a passageway to the underworld.  The temple is named for the six paths of reincarnation in Buddhism, each path representing a different realm.  In the Heian period, it was said that Ono no Takamura climbed down the well at night to judge the souls of the newly dead. His near contemporary, Murasaki Shikibu, supposedly descended to hell from here, as atonement for writing her lustful book, The Tale of Genji.   

A more benign legend was born around the corner at Minatoya Yurei Kosodate-Ame Honpo, Japan’s oldest candy shop. For seven consecutive nights, a pale woman came to the shop to buy one mon’s worth of millet jelly. Not having that sum, the woman traded her haori jacket, which was later recognized by a neighbor as that belonging to his recently deceased daughter.  Digging up her grave, they found a crying baby feeding on the candy.  The baby was allegedly adopted at Rokudō-Chin’nōji Temple and became a monk. The visitor can try this same candy, unchanged since the shop opened in 1599.  

Kyoto’s most popular spooky sites are surely the blood stained ceilings of a handful of temples, notably, Genko-an, Hosen-in, Yogen-in, and Shoden-ji.  The Battle of Sekigahara in 1600 stands as the most influential battle in Japanese history.  A narrow pass threads through the mountains between Sekigahara and Kyoto, and whoever controlled the capital controlled the Emperor.  Tokugawa Ieyasu placed 1800 men at Fushimi Momoyama Castle in order to slow Ishida Mitsunari’s approach from the west, buying time to establish better positions on the battlefield.  This small contingent had no hope of defeating Mitsunari’s army of 40,000, but they stalled them enough, until the castle was set ablaze, trapping 380 defenders.  The men committed seppuku ritual suicide, with the surviving blood-stained floorboards placed into the ceilings of these temples, to honor and appease their spirits. Shoden-ji is particularly notable, as the garden, and its borrowed scenery of Mount Hiei, was a favorite of David Bowie during his long stay in Kyoto.        

Above all these apocryphal stories, a more recent Kyoto site is considered one of the most haunted places in Japan. The 444 meter-long Kiyotaki Tunnel above Arashiyama was built for the rail line in 1928, the scene of a number of worker fatalities and suicides due to harsh working conditions.  Nighttime drivers claim to have seen ghostly figures in their mirrors, or have had the ghost of a women jump onto the hood of their car.  Most often, the screams of this woman penetrate the dark of the surrounding forest. 

While the spirit days of August are now past, the popularity of Halloween in Japan presents an excellent opportunity to follow in the paths of the dragonflies.  But if put-off by the distaste of violent historic events, or the fear of the supernatural, one can find compromise in a visit to Toei Kyoto Studios, home of what they dub “the most terrifying Haunted House in history.”  


On the turntable:  Talking Heads, "Remain in Light"

 

October 14 Elegy

 

 

On the Great Eastern Road IX

  

Getting a jump start on the heat.  People on the way to work, popping into Mishima Taisha.  I wander the cool of the grounds, passing a man chanting not to the altar but to the waters of the pond. 

I stroll the high street, it too tidy and clean.  Mishima cares about itself, with its historical markers, ample green spaces, nice little lanes free from the bondage of power lines.  Not much of old history remains, but that could be a war casualty, as the city once hosted an artillery unit, and neighboring Numazu was bombed late in the war. 

A police car roars up to stop at a hotel I just passed.  Another cop comes running. At the train crossing is an overweight cop, not running.
 Something amiss, which I'll never discover.  

I know I am at the edge of the old post town when I see the joyato latern. There's a small strand of namiki here too, barely two meters high.  There's little on the landscape beyond to entertain me, so I put in the headphones and listen to a mix of Tom Waits cover tunes.  I discovered him just before moving to Japan, his Anthology being one of a mere ten cassettes I brought over.  His songs remind me of an old girlfriend, a refugee from the Kobe quake of 1995, and a rainy Sunday where we lay on the tatami and sang Tom's songs out into the darkened room. He also reminds me of Jordan, now dear departed, and memories of him, and lost others cause me to weep as I stroll on. No need to feel embarrassed for this, tears are liquid love.    

Things stay industrial awhile, then I enter Numazu.  I'd looked forward to seeing this, the former home of a good friend.  But the Tōkaidō keeps me away from the city's best face.  Instead I'm walking the strip mall look of her outskirts, before being dumped onto Route 163.  

Thus begins hell.  On the map, I thought I'd be on a quiet little suburban road, which it is, but one with the near constant hum of passing cars.  I'm forced to stay on the sidewalk, which breaks my stride with every dip of driveway and perpendicular lane. It is the worst of all worlds as there are no real shops or places to take a break. I will walk this hellish route for three full hours.     

In hindsight, I should have walked the parallel beach road instead, but worried I'd miss the history.  Yet my route has few traces.  There are the odd signs and markers, but nothing remains of what they once marked. 

Literally, the only real find of the day is Hakuin's birthplace, but it too is modern and concrete.  I look around for his grave, a half-hearted attempt because I want to get on with it. It remained unfound, though I do find the grave of his mother.  There are a few markers at Hara post town for old historical sites, but they stand before the usual dull suburban homes. There is not a single trace of anything on this road.


Have I mentioned the heat?   Thirty-seven degrees, and no shade for there are no trees.  Things leap out from my somnambulistic march. A greenhouse seemingly built solely for a ping-pong table.  An anti-aging salon, but even the sign is faded.  A closed izakaya, but the owner obviously lives up top, for I spy what must be his work apron dancing on the line.  It reminds me of the breeze and I feel cool for about four or five seconds. In one section stand a startling number of abandoned houses, one after another after another. Vegetation is starting to take hold again.

By some miracle I come across a cafe opening just on the stroke of 11.  A few other people have turned up as well, dressed in tidy clothes and waiting in tidy cars with the A/C on max.  A startling contrast, I pull off the reek of shoes and my forearms darken the handsome wooden counter before which I pour myself.  My ice coffee costs twice what it should, and is downed in half the time.  I wanted to rest longer in the cool, but my current condition soon has me ashamedly heading for the door.  

I have a second fish out of water experience at lunch.  I find a small eatery, yet when I enter I find it filled with rough workmen.  They take up both tables, but I'm invited to sit with the workers, who are welcoming.  As my buttocks is mere centimeters above a stool that looks more at home in an elementary school cafeteria, the guy across from me lights up a cigarette.  Like a marionette, I pop back up, saying a more polite equivalent of "Can't ya see I'm walking here? I'd rather not be around smoke."  I step back outside and walk a few meters, noting on the map that the next shop is a full hour onward, a ramen shop.  And it's not really ramen weather. 

I sheepishly reenter, to hear one of the workman say, "I knew it," under his breath.  And it's not really a day for okonomiyaki either, but that's all that this shop does.  The one I get is perhaps the worst I've ever had, basically an undercooked cabbage patty barely held together by batter.  The draft beer is a winner, and I feel a bit like Alan Booth when I order a second.  The workmen have left by now, but not after they've all had shaved ice.  I follow suit, my Blue Hawaii leaving me humming Elvis as I step back into the blazing sun.   

What else to report?  My busy road leading to an even busier road?  Relief in a final stretch along a quieter lane, but one devoid of any interest?  The clouds are coming over now, but bring little cool.  I pick up the pace in order to catch an earlier train, which will allow for a longer soak in the hotel bath before I meet friend and former Blockhead David for beer and lite bites at Baird Taproom back in Mishima.  Such is my reward for what was certainly the worst single day of walking I've ever had.  

 

On the turntable: Abbey Lincoln, "Abbey is Blue"  

 

On the Great Eastern Road VIII

 

 

Has it really been six years since I left off this walk in Hakone?  The weather is a far cry from what it had been on that December day, hot, the height of August, yet with a cooling breeze for which I am grateful. Even the earliest train wasn't going to get me up here till 11 and the bus that I'd needed was 15 minutes late, thanks to the usual unprepared cluelessness of foreign tourists when it comes to paying the fares. So it was that stepped out into the full heat of day.


There is a remarkable amount of ishitatami on this part of the Tōkaidō.  And it begins immediately out of town, up Kamaishi-zaka. Due to storms, the trail looks pretty beat up, many of the stones rolled out of place, and in certain depressions in the trail, the detritus has built up. Walkers have gone through, obvious from the fact that the tall grass of late summer has been pushed aside. But each cobweb I break with my face is an indicator that no one had been through recently.

I'll only have one true climb of the day. From the vantage point of town, Tōge-chaya looks pretty far up there. Before I know it I am up and over the pass, but coming down the other side will be the problem. I'd noted the day before that a section of trail was closed due to a landslide back in 2019. 
Photos on Google Maps seemed to suggest that you could make your way around the barricade, which is what I had initially intended to do.  But coming up on the bus, I saw the barricade on the lower side, and it looked pretty impenetrable. And the more I thought about it, the more I thought I'd stick with the detour route.  I know I've previously mentioned that I don't like to edit when it comes to historic road walks, but do I delude myself in thinking that this Tōkaidō has always been the exact same route as it is today, since its earliest origins? Contemporary weather systems are getting more intense, with more and more trails getting damaged, yet ancient weather too did happen. 
Not to mention political turmoil and other problems. Throughout history, all of these trail systems would have changed from time to time. It's been six years since the landslide and I'm not terribly optimistic that they're going to fix it after all this time. But I'd like to think it'll reopen again, and the easy access makes it easy to return to.  Perhaps if it were a few hours earlier, or the day five degrees cooler, I might jump the barricade and go for it.

The road walk keep me on the busy Route 1, which winds its way down toward Mishima. Luckily, the old route keeps me off it for the most part, but for this detour. 
It's almost a blessing that it's about 26 degrees up here, versus 31 down in the valley. And as I'm exposed walking the tarmac, I'm thankful for the layer of overcast and the wind that accompanies it.

Once past the blockage, I feel the familiar round of stonework under my feet, which continues for a full six kilometers, broken only when bisecting Route 1.  One of the good things about ishitatami is that due to the uneven footing of the path, walkers are forced focus on their walking and not on their phones.  The trees on both sides are majestic, the forest alive with sound at mid-summer.  Plentiful stone figures keep my company, as well as markers for old small temple halls that didn't survive the transition to the modern world.  The once grand Yamanaka Castle itself did not, and I plan to return another day to trace her sylvan contours.  

 

 

I pass the aerial labyrinth of Dragon Castle, the dizzying heights of the Sky Walk, but my own walk continues over earth and stone.  Stone becomes tarmac in a small hamlet, and the road descends at an insane angle down the steep hillside.  It would be impossible to drive this in the ice and snow, and I walk backward awhile, my shins unable to handle the strain of the pitch.  This slope has been given a name, as have many of the others, reminders that I've dropped over 800 meters since the pass of many hours back.  

Just outside Mishima, I encounter a large tow-truck casually propping up a tourist bus, the latter a victim of an engine fire, but later scanning the news I find nothing.  The entrance to town proper is marked by a large stone for the Hakone road, and suddenly the Tōkaidō joins Route 1.  I'm actually walking a surfaced trail just above it, the road below lined with namiki, extending a full five kilometers, the longest stretch I've ever seen.  The irony of course is that the Shogunate planted all these trees in order to provided shade and shelter for walkers, but here I am in full sun, the cars below getting all the benefit.  The walker has no place in modern Japan.  

Eventually I come to Mishima Taisha, and I leave the old road in order to angle toward my hotel.  Shirataki Park is a beautiful oasis, kids in full frolic in the waters of the pond, with gossiping mothers as lifeguards.  I find myself attracted to a certain type of city in Japan, one comfortable in its modest size.  An easy scale to protect the culture, the quirks.  I am immediately attracted to the tree-lined streets, the bookshop cafe, the variety of its small eateries, the certain absence of big chain shops.  Yes, here too I could make a life.

I chose my hotel for the hot baths on its top floor, sure remedy for achy legs and sore feet.  Here I soak awhile, as Fuji looms up for the first time all day.  Her cabaret act is a flirtatious baring of a single shoulder, and only for about five minutes.  A tease, but those climbing her today are surely getting some bad weather. Not me.  Here I soak.  

I backtrack a little to Slider House for its burgers and 24 taps.  I settle into a plush leather armchair that serve as bar stools.  One beer follows another, and another, as I find it hard to leave my comfy seat, and my book of letters by Hunter S. Thompson.  But tomorrow's walk eventually taps my shoulder, and I force heavy feet to lead me toward bed.       

 

On the turntable:  Tom Petty and the Heartbreakers, "Pack Up the Plantation: Live!" 

 

Don't You Know We're Riding

 

 

...Marrakesh and Jemaa el-Fnaa:  cobras, monkeys, drums, fruit stands with plastic food, minaret scaffolding with three gargoyles, Tibetan-looking water-bearer, motorbikes roaring through the souk, timeless carts being pushed uphill (I help one old guy, joking I'm on a working holiday visa).  Madrasa packed with tourists, later we queue at the tombs of people we've never heard of.  Breaking away from the group to go to a rooftop cafe above the Kasbah for a quiet lunch. Starting an international incident as two hat vendors vie for our business, then escalates into heated argument.  Young woman in colorful clothes turns out to be western fashion rather than a native dress.  Bad music from a hotel nearby somewhere.  Dinner at Dar Es Salaam with the trad music and belly dancers and photographic traces of Hitchcock...

...  Marrakesh express to Casablanca.  Parched earth of the Sahara, sharing the red red of New Mexico, ofttimes cultivated.  Near in the sea, as seagulls hover over a rubbish tip.  Casablanca reminds of a British built city of the Raj, with its large municipal edifices.  The only thing real about Rick's Cafe are the two enormous bouncers preventing entry.  Even more enormous is the city mosque, miles and miles of carpet.  Boys jump into the sea from an adjacent wall, until chased away by cops, return after the cops move on...  

 

 

...Wending the narrow lanes of Rabat, seeking traces of blue...  

...Train to Fez through patchwork of hills.  Ditching the group again to do a deeper look at Fez's souk, the tourists gone in the heat of afternoon.  Getting truly lost in there, until coming across the Rue Talaa Kebira, which we follow past the poetically crumbling Bou Inania Madrasa, and on until Bab Boujloud and our exit...

...Through the Middle Atlas. A ski field called Michelin above the Euro-looking Ifrane.  A long ride as the mountains become hills, become desert.  Oases always seem to be on the right side of the road, so you get two different trips based on what side of the bus you sit on. Desert hills, a row of giants with furrowed brows.    Palm tree groves, which imply the presence of water, yet their branches are covered with dust from trunk to tip. High broad streets like in a Texas town. These settlements of faded glory, some buildings empty, some intact, others appearing to be going up. I think of India and its unfinished look, until it hits me that maybe these kinds of places have always looked like this, some buildings empty, some intact, others appearing to be going up...

 

 

...Charming if not slightly tacky Hollywood oasis hotel at Erfoud.  Market day in Rissani, lingering over coffee and watching the world come to us.  Leaving the road to blast through the dunes in a 4x4 to our camp digs.  Not tents but small concrete bungalows with showers and A/C.  Obligatory camel ride out to the Erg Chebbi dunes for sunset. Our guide shushing everyone to enjoy the quiet, followed by her own phone chat to a grandchild somewhere in the green of England.  Music around the fire after dark.  Me rising early, stalking the sunrise alone. Nothing beyond here but Timbuktu.  Our vehicles passing line after line of camel trains as we make our way back to tarmac, and town...  

 

 

 ...Two days drive through the desert.  Pock-marked ghost qanats stretching out to their former sources in the far off hills. Despite the lack of water, there seem to be a lot of car washes in the desert.  Casbah after casbah.  Driving through the canyons, walking up to a ruined hotel in Todra Gorge.  Incredible oasis of Tinghir (but why won't the bus stop to let us go down and walk in the shade of their palms?) Ouarzazate and Ait Ben Haddou, films sets, real and imagined.  Over the Tizi n'Tichka and back to Marrakesh...

...Sharing with LYL that we wish we had a few more days here.  And shame on me for not realizing that Essaouira was less than two hours away.  Next time...

 

On the turntable:  Tommy Bolin, "Energy"

 

Kumano Kōdō XXV: Hongudō revisited...revisited

 

I've mentioned before how my friend Daniel and I had missed a great deal of the Hongudō during our walk in 2019, due to most signage being oriented from Ise-ji, against our flow. I returned later that summer to follow a pass over the lower reaches, though this time in the direction of the signs.  But those upper reaches continued to haunt.     

Armed this time with better maps, I greet my unwashed taxi driver, who picks me up in the dark of pre-dawn, and drops me just above the Sanwanotsuri Bridge an hour later.  As I climb from the vehicle, the driver tells me to take care.  Even in the modern age, townspeople maintain their superstitions about the mountains.  Not to say they're wrong.  

I tip the driver a thousand yen, since the poor guy had to rise so early to get me, and on a Sunday no less. And the mind to begins to spin games of chance, for we never really know the outcome of intersections of one's life.  Perhaps he'll use the 1000 yen to buy a few bottles of rotgut sake, and beat the wife around later.  Or maybe, he'll use it to play pachinko, which leads to even greater riches to come.   

The light is just beginning to enter the forest as I do, so I am hyper-aware of animals commuting home from the night-shift.  But the only beasties I encounter are the olfactory delights of swine awaiting their slaughter at the abattoir atop the hill, filling every inch of lung with each labored breath.  Plum blossoms fill the eye, hoof prints of deer in the dew below.  

Most of the day is spent on forestry road, punctuated by brief sections of rip-rap, and fallen-down homes.  I am certain that Daniel and I had missed this, had stayed on the main road below.  I do remember the bouldering field of Yuhi-ga-oka, the immense stones as high as three story buildings.  What follows is probably the longest section of forest trail, which drops steeply down what in the rain must be murder. Just beyond at Otani, I realize that we had previously gone really wrong here in 2019, following the forest road straight down to the highway.  But a smaller road twists upward again, past what must be the home of a trainer of hunting dogs, who bark aggressively in an aural version of The Wave.  

 

 Around a few corners, the signage keeps me on the road, but maps show a steep descent down into a broad, clear-cut valley.  I descend around the stumps and corpses of trees, until I notice my GPS indicating the trail is slightly above me to the left.  I scramble up, and meet the remnants of old trail that escorts me down to Route 311.    

It's a long road walk until a brief respite of forest leads me to the turn-off of  Maruyama Senmaida. I climb as the road switchbacks up to the handful of small souvenir stalls, and farmhouses, and a massive boulder.  I cut between the houses along a wonky rock path toward the top of the hill.  This is my third visit here, but the first in perfect weather.  It's over a month until the rice will be planted, but even the brownish fields are a marvel of geometry.  The landscape almost looks shattered.   

 

As I had already twice crossed Tōri-tōge, I stick to the road, ignoring signs telling me it is closed up ahead.  All is well until I come around a bend to encounter a massive landslide, with rows of truck tires stacked up to prevent encroachment.  As they are only waist high,  I am up and over, passing a handful of large diggers at rest within the landslide scar, then over the tires on the far side.  Thank god it's Sunday, and no one around to turn me back.    

I note a narrow road that leads me diagonally back toward the one of Senmaida's two bus stops.  I'd noticed earlier that the opposite end was marked with a sign for the Hongudō, and it is along this quiet forested road that I take my final steps.  Then my thumb takes over, gaining me a ride toward Kumano city, and my train, and enough time to yet again grab a Mosburger, an act that is becoming almost ceremonial at journey's end.

 

On the turntable:  The Police, "Synchronicity"  

  

Filling the Gaps along the Ise-ji V

 

I've forgone breakfast since I want to catch the first train of the day.  I'm backtracking a few days to recross Hajikami-tōge, taking this time the Meiji Road which I hear is more picturesque.  I munch bread and coffee as I await my train, winter's bite still in the air on this day in early March.  

The Meiji trail over the pass lives up to its reputation, and it gently leads me down to a long valley of farms sparkling in the morning sun.  I meet the road at the far end, close to an hour before my intended bus.  I throw out my thumb lackadaisically, but am soon picked by a nice old couple (and in Japan, it seems that it is only nice old couples who do the picking up).   They drive me all the way to Owase where I can catch a train back down the coast to rejoin the Ise-ji.  I walk down to Family Mart to grab a quick lunch, which I eat on yet another train platform.

 

I leave the train at Arii, where I finished up my walk of the Hongudō back in 2019.   I am led immediately across the highway and into the trees.  From the heights of yesterday, I could see these pines extend all the way down the coast, planted in earlier times as a wall to slow the encroach of future tsunami.  Breaking through the other side, I see that I am meant to walk a concrete berm which, although it allows me great views of the sea, is all I will get for hours.  Looking at my map I note a parallel path through the trees themselves, which though equally monotonous, will at least give me a softer surface on which to tread.  I decide to split the difference, and pick up the beach trail further on.  

The uniformity of features on the landscape soon has my mind spilling out all over the place, unbound by geography or temporality.  It goes on like this for 10 km.  One stretch has me up on my old frenemy R42 as it passes through Mihama and beneath it's towering boondoggle of the town office.  Any time the town office is far nicer than any other structure in town, you've got some politicos who have little regard for the needs of their constituents.

Ironically I'd stayed here a couple of nights before, at the rather bland Fairfield Hotel, though I'd enjoyed dinners at izakaya Benkei at the michi-no-eki next door.  Sadly, they aren't doing lunch today.  So I wrap behind the massive behemoth shopping center and follow the smaller road out of town, forced to rejoin R42 more than once.  There is little to hold my interest, and even the two historical landmarks that my map shows seem to have been swallowed by suburb.  (At this point I am ready to suggest to non-OCD walkers of the Ise-ji to give this whole Hamakaido section a pass.  Better to ride the train from Kumano to Shingu.)

Finally the trail leads me inland, climbing diagonally toward the forests above.  I hadn't expected a climb today, and am surprisingly more fatigued that expected, so I take a break at Yokote Enmei Jizo.  The path that follows is a nice wooded traverse along the upper edge of civilization, but all too soon I descend through a confusing spaghetti plate of overlapping roads and highways.  The weather had been so pleasant through the day, but a light rain wants to accompany me the rest of the way into Shingu.  Not sure why, as this stretch is fairly uninspiring, up until that bouncy iron suspension bridge that I remembered from my Kawatake-kaidō walk.  As on that day, the sky is dark as I enter the grounds of Hayatama Taisha, and I realize that I've approached this shrine from four different approaches.  But today brings completion as I've now walk every bit of the Kodō (except the Okugake, which leads to Hongu anyway).  Thus, the pilgrimage ends not with footfalls but with a pair of claps.

 

My accommodation for the night was chosen for its proximity to one of my favorite izakaya in Japan.  It's a guest house, which I usually avoid, but luckily I won't see or hear any of the other guests during my stay, their presence betrayed only by neatly aligned shoes.  I make my way to the izakaya, which I had booked ahead, telling them how happy I'd been on my last visit five years ago, and how much I was looking forward to seeing them again. Naturally, they had no idea who I was. 

Upon entry, I am surprised to see the extant of their renovation, and upon sitting, I realize I've got the wrong place.   I figure the proper thing to do is to order a beer, which I pound after I find my correct destination around the corner.  That owner does seem to remember me once I mention my last visit. And as on that visit, I double makase, letting him choose four dishes for me, and four types sake to pair them with.  We talk over the array of bottles that separate him from my counter seat, about my walks, and the history of the area.  As I leave long past closing, he gifts me a hand written pamphlet he's written on  Shingu.  Once again, Kumano has worked her magic on me, has me missing the hospitality of the countryside, has me wondering why the hell I am still living in Kyoto...

 

On the turntable:  "Everyone's Getting Involved: A Tribute to Talking Heads' Stop Making Sense"